Dreams and nightmares of New-York modernity : sociology of Winsor McCay's sleepy stories
Identifieur interne : 000046 ( Main/Exploration ); précédent : 000045; suivant : 000047Dreams and nightmares of New-York modernity : sociology of Winsor McCay's sleepy stories
Auteurs : Benoi T Tellez [France]Source :
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- topic : Ville.
English descriptors
Abstract
There is something serious about reading Winsor McCay's comics. It is based on this basic premise that, after I had decided that I would restrict my corpus to his sleepy stories (all the storyboard in which in the last panel the character wakes up and realizes that he wasdreaming), I intend to seek for what could be taught of new yorker modernity through the reading of Little Nemo in Slumberland (published from 1905 to 1929) and of Dreams of the Rarebit Fiend (published from 1904 to 1914). This thesis begins with a thought on a estheticand philosophical concept of Modernity and goes on with a methodic establishment of sociology of the work of art that encompasses the singularity of the author.I divided my analysis of the sleepy stories of McCay in two steps : one whose aims is toorganize the look provides a differentiated study of the panel, the gutters and the page ; the other one focus on main paths of the work. This last development allows to emphasize the modern passion of movement, the outcome of the end of the story in the age of seria lproduction and the concept of infinity in narrative process. This study also gives the opportunity to develop concepts such as tellings of the chosen one, mechanical creation,baudelerian rationality or the concept of skip.
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It is based on this basic premise that, after I had decided that I would restrict my corpus to his sleepy stories (all the storyboard in which in the last panel the character wakes up and realizes that he wasdreaming), I intend to seek for what could be taught of new yorker modernity through the reading of Little Nemo in Slumberland (published from 1905 to 1929) and of Dreams of the Rarebit Fiend (published from 1904 to 1914). This thesis begins with a thought on a estheticand philosophical concept of Modernity and goes on with a methodic establishment of sociology of the work of art that encompasses the singularity of the author.I divided my analysis of the sleepy stories of McCay in two steps : one whose aims is toorganize the look provides a differentiated study of the panel, the gutters and the page ; the other one focus on main paths of the work. This last development allows to emphasize the modern passion of movement, the outcome of the end of the story in the age of seria lproduction and the concept of infinity in narrative process. This study also gives the opportunity to develop concepts such as tellings of the chosen one, mechanical creation,baudelerian rationality or the concept of skip.</div></front></TEI><affiliations><list><country><li>France</li></country><region><li>Franche-Comté</li></region><settlement><li>Besançon</li></settlement><orgName><li>Université de Bourgogne Franche-Comté</li><li>Université de Franche-Comté</li></orgName></list><tree><country name="France"><region name="Franche-Comté"><name sortKey="Tellez, Benoi T" sort="Tellez, Benoi T" uniqKey="Tellez B" first="Benoi T" last="Tellez">Benoi T Tellez</name></region></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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